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Sin city vegas8/7/2023 ![]() ![]() All of the punches, gunshots etc are given such ridiculous prominence on the track that they threaten to make mockery of the violence. From a technical standpoint the sound effects are WAY to loud. ![]() Other Minor niggles are hardly worth mentioning. Even Marv, who's supposed to be a meat head, talks in gravelly prose that would make Bukowski feel like a Nancy. In a film that is predominantly voice over driven, it is hard to differentiate characters when they all sound exactly the same, both tonally, and in the language they use. This is more a fault of the source material, but when every single person is a wise cracking, hard boiled tough guy (even the women) then it kind of distills the effect of their toughness. That every character and every voice in the movie is the same. My other main criticism is the same I have with Quentin Tarantinos work. there's some fudging of time lines with Hartigans character (do we really buy Bruce Willis as a nearly 70 year old man?) and the jumps from story to story are jarring initially, but once it settles into itself the ride is fantastic. The film isn't entirely void of criticism. Bruce Willis puts in a solid, if unspectacular turn as Hartigan. The other standout for me was Elijah Wood, who was truly chilling. Mickey Rourke absolutely nails Marv, and the girls of Old Town are all as beautiful as they are deadly. You could literally pause the movie at almost any point and just hang that frame on a wall, its that beautiful. Sometimes these visuals fall down, there are some very very obvious digital shots that don't quite gel, but on the whole the cinematography is jaw dropping. The framing of all the key scenes is SO faithful to the printed page that it produces a truly original look that is fairly incomparable. likewise, the camera behaves like a moving cartoon box out. In fact, many many lines are just taken straight from the pages. ![]() Allowing Frank Miller to write the script was a fantastic move, as the dialogue is edgy, witty and VERY faithful to the original material. It is High octane, million miles and hour storytelling, and it EASILY Robert Rodriguez's best film. On the whole it works brilliantly, and for the duration there isn't a boring moment. A bunch of stories set in a consistent world, with characters falling in and out of each others plot lines. The movie is two hours long and is structured in a similar way to Pulp Fiction. If I was to use one word to describe this film it would have to be.Violent! if i was allowed two words I would add 'Visceral'. ![]()
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